Tijs Van Nieuwenhuysen

Work

About

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Zonsondergang, 2023

Offset print on paper, plywood, steel frame, wooden frame, 453 x 230 cm. This installation hung on the façade of de Warande for 2 months.

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Side-Deck, 2022

Rust pigment and offset ink printed on colored paper, 64 x 46 cm and 62 x 44 cm. These artworks were printed during a residency at Printship Brauhaus. (image 1 & 2: Side-Deck Circle, image 4: Side-Deck Rectangle)

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In the Shadow of – Billboards, 2021

Offset print on paper modified by natural elements, plywood, wooden frame, two times 250 x 244 cm.

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In the Shadow of – Pamphlets, 2021

Offset print on paper modified by natural elements, four times 50 x 33,5 cm, frame: 65 x 49 cm. (image 1 left: Pamphlet Leaves, right: Pamphlet Snail I, image 3 left: Pamphlet Snail II, right: Pamphlet Goat)

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Shelter, 2021

Rust pigment screen-printed on steel and galvanized steel sheets, wooden frame, 75 x 65 x 10 cm.

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Shelter Triptych, 2020

Rust pigment screen-printed on steel sheets, three times 120 x 100 cm. This artwork was printed during a residency at the Frans Masereel Centre.

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Experiments, 2020

Rust pigment screen-printed on steel sheets, 30 x 20 cm. These artworks were printed during a residency at the Frans Masereel Centre.

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Xylo, 2019

Woodcut print on paper with charcoal pigment and ash pigment, 50 x 40 cm.

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An installation for vaART, 2018

This installation is placed near a bunker next to the canal Dessel-Turnhout-Schoten in Turnhout. The artwork tells the history of the bunker and the location and is part of the vaART project organized by Tourisme Kempen.

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Several murals for vaART, 2018

vaART is an art project of Tourisme Kempen. On several locations along the canal Dessel-Turnhout-Schoten artworks have been placed that tell more about the history of that place. These 4 murals can also be found in several municipalities next to the canal.

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Roest, 2016

An interest in the consumer society and her useless materials pushed me towards the making of a unique, changeable color. Inspired by the Nouveau Réalisme and its artists, I consciously chose for the transformation of rusted, lost objects to pigment. Using different processes, I came to creating my own ink, in two variants. If it appears that the ink – molded into a graphical concept – can rust again, then the circle is complete. In this manner we endlessly offer the waste products of our modern society material for making poetry.

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